Engagement Wishes What To Write

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    Don't get me wrong, I loved Facebook birthdays at its inception, but as my friend list grew, I became more suspicious of broadcasting my day as a means for social engagement. People I have not seen in years would spend a few seconds populating Of



Wedding Style Party Thank You Cards Plus Envelopes | eBay

Wedding Style Party Thank You Cards Plus Envelopes | eBay
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12ft x 5" Happy Engagement Banner Foil Repeating Design Decoration PS ...

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... Engagement Wedding Shower Party Best Wishes Balloon | eBay

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Iris DeMent: Tangled in Wishes :: Oxford American - The Southern ...



There are songs that have saved lives, and songs that have ended them.       

—Joshua Poteat

It seems to me that those of us who aren't musicians usually take one of two imaginative stances toward the songs we listen to—either we imagine ourselves as the singers or we imagine ourselves as the sung to. I am one of the sung to. When I concentrate on a song, it is as if someone is speaking directly to me, unreservedly and in total privacy. The voice that comes through my speakers strikes me as faraway, inaccessible, and yet somehow strangely intimate. Perhaps it is this presumption of intimacy on my part—a false presumption, I know—that makes certain tones so likely to set my teeth on edge: vanity, pugilism, boastfulness.

“Then you don't like rock & roll,” a friend once told me when I confessed as much to him.

And I thought, Maybe so.

It’s certainly true that I am out of sympathy with the main currents of a lot of rock music. I am constitutionally averse to swagger, unless it’s delivered with a wink and a shrug, as if to say, "You and I both know that I can’t really pull this off, but let's pretend that I can." In other words, nerd-swagger. And I am generally unmoved by the aesthetic of transgression that has energized so many rock bands, from the Who and the Sex Pistols down through Nirvana and the White Stripes. It's not that I disrespect it; I just don't find it very interesting, although, for the sake of completeness, I should say that most of it strikes me as fairly reflexive—little more than transgression for transgression’s sake—and I tend to respond with more engagement to what I hear, rightly or wrongly, as heartbroken, principled, or playful transgression (see, respectively, Arcade Fire, New Model Army, and They Might Be Giants).

Once the basic elements of form and melody are in place, what I look for in a piece of music are vulnerability, openness, and purity of tone, along with enough precision or passion of delivery to keep me from becoming embarrassed on behalf of the singer, a feeling to which I'm all too prone. Beyond that, I'm after the same sensation I'm always after, both in life and in art—the sensation that I'm being presented with something that has been cherished by someone. In an essay about William Maxwell's short, masterly novel So Long, See You Tomorrow , Charles Baxter observes,"[Y]ou feel that you have been given... Source: Oxford American Articles

  • Dear David Cameron, can I be your science advisor?

    07/24/13 ,via The Guardian

    I am writing to you for a very specific reason. I was wondering if you'd consider hiring me as your official science advisor? This may seem somewhat od, but allow me to preface this. However, Ms Perry's recent online activity suggests she lacks even basic ...

  • Uncle Harry and the 'thrilled' Queen have seen the baby boy who will one day be king (but still no name)

    07/24/13 ,via Daily Mail

    The Queen and Prince Harry have now met the royal baby for the first time and spent time with the future king's ecstatic parents, as the guessing game over his name continues. Her Majesty, who will travel to Balmoral for her summer holiday on ...

  • Accused tells court Kiram's sibling was in Lahad Datu

    07/24/13 ,via thesundaily.my

    "The essence of the charge against me is without basis and intended to implicate me; actually the Sabah police contingent headquarters (IPK) in Kepayan had known about the intrusion earlier than me, before it happened on Feb 12, 2013," he contended.

  • Jacob

    How to manage time with writing and how to write better?

    I'm 14 years old and I've come up with a book idea that I really like. The problem is the story would have to be a couple hundred pages long. Obviously I have school which takes up a large portion of the day and I've got homework which takes up even more. So how can I find more time to write? Or to write more efficiently? My other problem is that I'm a great writer for my age, and my writing sounds really professional if I put enough work into it, but it takes a LONG time. I'm a perfectionist so I find the perfect words for each sentence, but it takes a long time to find the words then piece them together and all that. So how can I write more efficiently? Is there some specific formula? Should I write everything out extremely plain then when I'm finished just edit through it all and fix all the details? Thanks!! :)


    “‘It is only half an hour’—‘it is only an afternoon’—‘it is only an evening’—people say to me over and over again—but they don’t know that it is impossible to command oneself sometimes to any stipulated and set disposal of five minutes—or that the mere consciousness of an engagement will sometimes worry a whole day. These are the penalties paid for writing books. Whoever is devoted to an Art must be content to deliver himself wholly up to it, and find his recompense in it. I am grieved if you suspect me of not wanting to see you, but I can’t help it.”—Charles Dickens (writing to Maria Beadnell Winter, a childhood sweetheart, who wished to make an appointment with him) How is it, I’d like to know, that Dickens can get away with saying something like that, and we can’t? Well, he is Dickens, I suppose. As a famous and beloved author, he could get away with being concise and even slightly snarky. Or could it be the other way around—that he was a famous and beloved author because he wrote just such notes? One of the greatest struggles (yes, add another one to the list) of the writer’s life is making time to write. For some reason or another, most non-writers have a hard time fathoming that writing must be approached with the same dedication, discipline, and time management of a regular job. Family members and friends are likely to give us hurt and dirty looks when we sequester ourselves behind closed doors for yet another evening/night/morning/week of typing away. Add to that unfortunate guilt our own tendencies to procrastinate, and our already overloaded schedules often seem to have no place at all for our writing. But guess what? If you’re not writing, you’re not a writer. (Nope, sorry, staring out the kitchen window and daydreaming while you’re scrubbing dishes doesn’t count.) Anyone who has any intention of being taken seriously as an author has to first take himself seriously—and that means, first and foremost, making time to write. If you shove your writing onto the back of the shelf with the intention of getting around to it whenever a spare minute pops up, you’re likely to find an inch of dust gathered on top of your manuscript by the time you get back to it. Life will always get in the way. You have to make time. You have to make your writing a priority. Don’t wait around for your family or your day job to slack off and provide the necessary schedule openings for you to grab an hour or two of writing every day. I will never forget a line of advice I was once read (although I have to admit I have forgotten who said it): Make time for your writing. If you don’t, nobody will. In my own experience, scheduling writing time comes down to two hard and fast rules: 1) Be consistent. Make it a goal to write something six days a week. Set yourself a definite goal—either a word count or a time limit (word counts will make you more productive, but a time limit is often the only feasible option for busy schedules)—and stick to it every single day. Peter de Vries once commented, “I write when I’m inspired, and I see to it that I’m inspired at nine o’clock every morning.” The important thing at this stage isn’t the quality of what you write so much as that fact that you are writing. My own writing time runs from four o’clock in the afternoon to six o’clock five days a week. 2) Guard your chosen time zealously. I’ve been known to threaten interrupters with their choice of a machete or a flame thrower. Once I’m at my desk with my music turned up, I don’t stop for anything short of a natural disaster. I close the door, unplug my wireless card, and turn off the telephone. It’s taken years for family and friends to realize I don’t want to be interrupted during these two hours, and I’ll admit to having resorted to crankiness on an occasion or two. But it’s paid off. For the most part, I’m left in solitude. Instead of having someone derail my train of thought with the plea of a favor or a question that “will only take five minutes,” they’ve learned to hold off until I’ve emerged from my creative cell. Put your foot down, and eventually people will learn to respect your needs. I’m blessed that my non-writing obligations are such that I can devote a relatively large chunk of time to my writing every day. Not everyone will be able to scrape together two free hours out of every day. (Although some will probably be able to find even more time than that.) Obviously, as important as your writing is, it isn’t the most important thing in your life. People and responsibilities do come first. But if you’re serious about your writing, you will have to make the time to write on a consistent and uninterrupted basis. Trust me, it’s worth whatever sacrifices you may have to make. And if you don’t want to take my word for it, then at least take Dickens’s. -K.M. Weiland Author of Historical and Speculative Fiction http://www.helpingwritersbecomeauthors.com

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